Interviews: MI Metal
Hear It from the Bands
I always have a story behind them, but when I upload the song with a video, people notice it and understand what I want to say. It’s a performance! People want to see me, not just hear me.
“The machine was going full on. We were really tight and the vibe was great.” – Away
Interview with Lindsay Schoolcraft
Taken together, the two sides of Theosulphuros have something of a yin yang quality to them – the more structured Precaria, riding herd on the wild nature of Darkness, driving chaos relentlessly forward and the more chaotic ÔROS KAÙ whose wild rhythms reveal a central, mesmeric calm being birthed.
Desperation. Hatred. Pain. All of these can be heard in every riff, drum beat, and anguished growl of Maurice de Jong on Shapeless Misery, his latest offering to the world.
Musically ugly, the nasty riffs, abrasive drumming, destructive bass, and visceral howls of rage-filled horror mirror the ugly underbelly of society, an underbelly that has always been there, but that has been crawling ever further into the light during the tenure of this administration.
The final product is gripping, painful to behold, and wonderfully cathartic.
…the band combines passionate vocals with a top notch blend of influences woven through their melodic death base, to call attention to the destruction being visited on the earth through the havok of mankind.
A day before their third album was set for release, I talked with Serena Cherry and Liam Phelan of Svalbard. What unfolded was a conversation about the sexism that exists within music publications, sketches of the band members as dogs, the final shows before the Covid lockdown, and the spectacular graphics of video games in 2001.
All the pieces melt together like shadows in the forest, seemingly shifting and moving so that you can never get a true grasp of what’s around you.
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