by Ryan George | Oct 1, 2018 | Reviews |
Not only does the quintet maintain their vintage tightly-picked, highly-harmonized riffing style, but they also subtly include elements of black metal (lots of octaves and rigorous tremolo picking), as well as the bluesy licks, retro tones, and standard tuning of late ‘70s Pentagram, Budgie, or Judas Priest.
by Ryan George | Sep 30, 2018 | Reviews |
a fantastic sense of melody, and a consistent infusion of that most precious and rarefied intangible — soul.
by Ryan George | Sep 29, 2018 | Reviews |
vintage, nostalgia loaded perfection as they bring out the best in what surf punk once was.
by Ryan George | Sep 27, 2018 | Reviews |
doom style gets mixed with the storytelling ability of power metal.
by Ryan George | Sep 26, 2018 | Reviews |
good with a villainous mind and a brooding darkness.
by Ryan George | Sep 20, 2018 | Reviews |
type of album that needs no explanation to the purist, it just needs to be played over and over until you are exhausted
by Ryan George | Sep 19, 2018 | Reviews |
lethargic tempos, chiming arpeggios, resonant power chords
by Ryan George | Sep 18, 2018 | Reviews |
explores fistfuls of varying genres, from dreamy shoegaze, to a more post-gothic sound, to a slightly refined atmospheric metal
by Ryan George | Sep 17, 2018 | Reviews |
Those who dig their metal straight-forward and groovy should find plenty to enjoy
by Ryan George | Sep 16, 2018 | Reviews |
The slow dirge, and the feelings of your inevitable end