So what’s the verdict? Simply put, while it languishes a bit in some places (mostly the latter half of track 3 and track 4), Pelgrimsoord seems to take the sound of Bedenhuis and capitalize on it by inserting a handful of really cool extras.
Desperation. Hatred. Pain. All of these can be heard in every riff, drum beat, and anguished growl of Maurice de Jong on Shapeless Misery, his latest offering to the world.
Neocaesar take said death metal and ramp it up to pure malicious levels of brilliance that simply ignore your definitions of what old school or new school are.