Caina/Cara Neir – Split
Caina, initially a one man project, now a two man project, and Cara Neir, a two man both play styles of extreme music which are hard to pigeon hole. As this split clearly shows, it doesn’t matter in terms of quality.
Caina, initially a one man project, now a two man project, and Cara Neir, a two man both play styles of extreme music which are hard to pigeon hole. As this split clearly shows, it doesn’t matter in terms of quality.
Together, they produce a melodic, classic doom sound that is easy to get into. Keep listening and you’ll soon find yourself howling along with the chorus.
This isn’t your Harry and the Henderson’s lovable bigfoot. They hate and they love bringing destruction.
What separates Herem from the others is Valendis Suomalainen. Her haunting growls make the skin crawl like worms and beetles devouring a graveyard corpse.
Complex and technical guitar lines led by absolutely insane drum tracks that are almost impossible to predict. Guttural, venomous vocals set the pace for the real brutality this album has to offer.
Right from the beginning, there’s absolutely no mistake that this is November’s Doom. It has the same Dark and Doomy feel. Exactly what you’re expecting.
These guys can hang with the best of the Thrash giants in my opinion, rivaling sounds of Exodus and Testament with ease.
True appreciation of everything Side sets out to do will require quite a commitment.
With a broad brush stroke, MRTVI paints a decidedly finite portrait on the ever growing and ever evolving landscape of contemporary black metal.
I feel that this album is going to be divisive on several levels. It’s not a true “anything”. It has elements of so many different genres, that I think it’s going to appeal to anyone with an open mind regarding what genres belong in heavy music today.