
Zebulon Kosted – Die Groot Korkodil Pieter Willem Botha
The reality is that it draws you into a trance with it’s droning rhythms, building tension and beauty slowly, Ghafur revealing more of this monster with each bile filled invective.
The reality is that it draws you into a trance with it’s droning rhythms, building tension and beauty slowly, Ghafur revealing more of this monster with each bile filled invective.
So what’s the verdict? Simply put, while it languishes a bit in some places (mostly the latter half of track 3 and track 4), Pelgrimsoord seems to take the sound of Bedenhuis and capitalize on it by inserting a handful of really cool extras.
I can count on any Sentient Ruin release to be well crafted, challenging in some way, and aesthetically interesting.
There is really a lot going on here, yet the eight tracks remain (mostly) within the confines of Raw Black Metal as a distinct subgenre.
This release has real riffs, played well, and yet retains that rugged feeling through production choices.
The righteous hatred of humanity is strong, but restrained, methodical in its obliterating power.
The ethos of black metal continues to burn its black flame with its mischief through the night sky.
Foul atmosphere and pugilistic attacks leave the listener mentally bloody, with bruised psyche, ready to relent the demands of the artists.
What is really interesting and I’m not sure if it’s just ME, but it feels and sounds really good to restart this album immediately after it finishes.
Satanize has been terrorizing the scene since 2001 and shows no sign of slowing down their tyrannical train.