These two tracks seem to exist nowhere. They are blank, bleak landscapes that hold nothing but a relentless wind that carries upon it sounds that cannot be described; a howling upon some unknown and unseen plane of existence.
“Nigraluminiscencia” starts with a second or two of infernal fires crackling until you’re right where the music wants you, disoriented in dissonance and feeling the flames of your inner-hell.
Interview with Lindsay Schoolcraft
The Wisconsin duo channel the beating heart of the traditional heavy metal I grew up with and they’re damn proud of it.
Over the course of roughly forty three minutes, spread across five tracks, LaColpa assail the listener with a nightmare of nihilistic intensity.
Taken together, the two sides of Theosulphuros have something of a yin yang quality to them – the more structured Precaria, riding herd on the wild nature of Darkness, driving chaos relentlessly forward and the more chaotic ÔROS KAÙ whose wild rhythms reveal a central, mesmeric calm being birthed.
…I hear caustic, acidic sludge, bonkers dissonance and hard left turns, and mesmeric melancholy…
Desperation. Hatred. Pain. All of these can be heard in every riff, drum beat, and anguished growl of Maurice de Jong on Shapeless Misery, his latest offering to the world.
Great beauty is buried within a dark morass of dissonance destructiveness.
There will be a moment in your future when you get to press play on this album for this first time, and that moment will be amazing!